The rise of Barack Obama is one of the great stories of this century: a defining moment for America, and one with truly global resonance. This book presents his phenomenal journey to election. It argues that Obama imagined and fashioned an identity for himself against the epic drama of race in America.
A sample of the menu: Woody Allen on dieting the Dostoevski way - Roger Angell on the art of the martini - Don DeLillo on Jell-O - Malcolm Gladwell on building a better ketchup - Jane Kramer on the writer's kitchen - Chang-rae Lee on eating sea urchin - Steve Martin on menu mores - Alice McDermott on sex and ice cream - Dorothy Parker on dinner conversation - S. J. Perelman on a hollandaise assassin - Calvin Trillin on New York's best bagel In this indispensable collection, The New Yorker dishes up a feast of delicious writing-food and drink memoirs, short stories, tell-alls, and poems, seasoned with a generous dash of cartoons. M.F.K. Fisher pays homage to "cookery witches," those mysterious cooks who possess "an uncanny power over food," and Adam Gopnik asks if French cuisine is done for. There is Roald Dahl's famous story "Taste," in which a wine snob's palate comes in for some unwelcome scrutiny, and Julian Barnes's ingenious tale of a lifelong gourmand who goes on a very peculiar diet. Whether you're in the mood for snacking on humor pieces and cartoons or for savoring classic profiles of great chefs and great eaters, these offerings, from every age of The New Yorker 's fabled eighty-year history, are sure to satisfy every taste.
This unforgettable account of Muhammad Ali's rise and self-creation, told by a Pullitzer Prize-winning writer, places Ali in a heritage of great American originals. David Remnick concentrates on Ali's early career, when he was still fighting as Cassius Clay. The book begins in September 1962 with the fight between Floyd Patteson and Sonny Liston, providing a remarkable sociological backdrop to Ali's entrance on the boxing scene. Remnick then describes Clay's 1964 fight with Liston, which even his own people thought Clay couldn't win, and takes us through to 1967 when Ali refused the military draft to Vietnam. This is much more than a sports book. It is a study of the rise of the black voice in the American consciousness and a look at how the media creates its heroes - Cassius Clay began as a 'light-hitting loudmouth' before becoming gradually canonized by the American press and public as Muhammad Ali. KING OF THE WORLD takes us back to the days when his life was a series of battles, inside the ring and out. A master storyteller at the height of his powers, David Remnick has written a book worthy of America's most dynamic modern hero.
La plus grande collection de dessins d'humour au monde !
Depuis 1925, le New Yorker est le magazine culte des intellectuels américains et la référence mondiale du dessin d'humour. D'Adam & Eve à Instagram, cette encyclopédie passe en revue plus de 300 thèmes : les enfants, Dieu, la technologie, l'amour, le cinéma, l'évolution...
Un seul mot d'ordre : l'élégance, le nonsense, le décalage.
Ce coffret rassemble une incroyable sélection de dessins, dont 2 500 jamais publiés en français.
Un monument d'humour et de métaphysique.
A collection of the New Yorker ''s groundbreaking writing on race in America, including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more From the pages of the New Yorker comes a bold and telling portrait of Black life in America, with astonishing early work from Rebecca West''s account of a lynching trial and James Baldwin''s ''Letter from a Region in My Mind'' (which later formed the basis of The Fire Next Time ) to more recent writing by Toni Morrison, Ta-Nehisi Coates, Zadie Smith, Hilton Als, Jamaica Kincaid, Malcolm Gladwell, Elizabeth Alexander, Chimamanda Ngozi Adichie, Doreen St. Felix, Henry Louis Gates Jr., Kelefa Sanneh, and more. Reaching back across the last century, The Matter of Black Lives includes a wide array of material from the New Yorker archives ranging across essays, reported pieces, profiles, criticism, and historical pieces. This book addresses everything from the arts to civil rights, matters of justice, and politics, and brings us up to the present day with accounts of what Jelani Cobb calls ''The American Spring.'' The result is a startling, nuanced and, ultimately, indelible portrait of America''s complex relationship with race.
A collection of the New Yorker 's groundbreaking reporting from the front lines of climate change--including writing from Bill McKibben, Elizabeth Kolbert, Ian Frazier, Kathryn Schulz, and more Just one year after climatologist James Hansen first came before a Senate committee and testified that the Earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change--its past, present, and future--taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay "The End of Nature," the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.
A New York Time s New & Noteworthy Book A collection of the New Yorker ''s groundbreaking reporting from the front lines of climate change--including writing from Bill McKibben, Elizabeth Kolbert, Ian Frazier, Kathryn Schulz, and more Just one year after climatologist James Hansen first came before a Senate committee and testified that the Earth was now warmer than it had ever been in recorded history, thanks to humankind''s heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben''s work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change--its past, present, and future--taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben''s seminal essay "The End of Nature," the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.
A compendium of literary humor from the pages of "The New Yorker" features essays and articles by S.J. Perelman, Dorothy Parker, Calvin Trillin, Garrison Keillor, Steve Martin, David Sedaris, and Ian Frazier.
