A lavishly illustrated guide to the magnum opus of the great seventeenth-century anatomist, master embalmer, artist, and collector of specimens.
Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Thesaurus Anatomicus. This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.
Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.
Depuis 2008, le centre de documentation Morbid Anatomy de Brooklyn, à New York, accueille certains des meilleurs érudits, artistes et écrivains travaillant au croisement de l'histoire de l'anatomie et de la médecine, de la mort et du macabre, de la religion et du spectacle. Ce livre rassemble les extraits emblématiques de ce travail dans 28 essais richement illustrés.
"There's a fine line between the horrible and the sublime, and Joanna Ebenstein's Anatomica: The Exquisite and Unsettling Art of Human Anatomy walks it." New York Times Book Review.
For centuries, humankind has sought to know itself through an understanding of the body, in sickness and in health, inside and out. This fascination left in its wake a rich body of artworks that demonstrate not only the facts of the human body, but also the ways in which our ideas about the body and its proper representation have changed over time. At times both beautiful and unsettling, illustrated anatomy continues to hold our interest today, and is frequently referenced in popular culture. Anatomica brings together some of the most striking, fascinating and bizarre artworks from the the 14th through 20th century, exploring human anatomy in one beautiful volume, with over 250 images.
Ce livre se penche sur les cires anatomiques féminines réalisées à partir du 18e siècle en Italie pour permettre l'étude médicale du corps humain. Fascinants de réalisme, ces mannequins aux yeux de verre et aux cheveux humains s'ouvrent et se démontent jusqu'aux entrailles. Le livre retrace plus largement l'utilisation de la cire dans la statuaire chrétienne et la science, et met aussi en lumière la fascination morbide et les fantasmes que suscitent ses belles endormies.
