This lively biography narrates the story of Louis Vuitton (1821-1892), who, at the age of 14, set out on foot for Paris from his native village in the Jura mountains and ultimately became one of the most successful manufacturers of luggage and leather goods in the world. Arriving in the metropolis at age 16, he was taken on as an apprentice at the atelier of Monsieur Marechal, where expert packers and talented custom box and luggage makers catered to a wealthy clientele. He perfected his craft there, becoming the personal packer and luggage maker for the Empress Eugenie, wife of Napoleon III. In 1854 he opened his own atelier, and with access to the highest levels of society and a gift for innovation and design, he was on his way to an illustrious career. This book, full of previously unpublished information, reveals the story behind the man and the legendary luxury goods empire he founded.
Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903, Rilke published his essay Rodin, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the 19th century. Rainer Maria Rilke's essay on Rodin went on to achieve great fame in Germany, selling many tens of thousands of copies during his lifetime. An introduction by Dr Alexandra puts this important work in the context of Rodin's sculpture and his connections with Rilke and his translator Jessie Lemont. It assesses as well the value that Rilke's appreciation of Rodin has today.
Louisa May Alcott's Little Women was a critically acclaimed bestseller upon its publication in 1868. It tells the story of sisters Meg, Jo, Beth, and Amy March - each a young woman with a distinctive and relatable personality, a rare feature for a children's novel at the time. The novel continues to resonate with readers as a timeless tale of growing up. This is the first modern edition of Little Women to feature the complete illustrations of Clara Miller Burd, originally executed in 1926. Burd's brilliant colour plates and detailed drawings bring the world of the March family to life. An introduction by Alice A. Carter, an expert on Golden Age illustration, explores Burd's life and the work of early 20th-century women illustrators. This new edition, handsomely bound in cloth, will be the perfect gift for all devotees of Little Women.
