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**The dazzling new novel from the prize-winning, bestselling author of Middle England** br>br>In the heady summer of 1977, a naive young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good.br>br>While Calista is thrilled with her new adventure, Wilder himself is living with the realisation that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. br>br>In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema''s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it''s time to let go?br>_______________________________________________________br>br>Praise for Jonathan Coebr>br>''Coe is a writer of uncommon decency'' Observerbr>br>''Brilliantly funny'' Economistbr>br>''Superb'' Timesbr>br>''Very, very funny'' Stylist>
'THE BOOK EVERYONE IS TALKING ABOUT' THE TIMES 'It was tempting to think, at times like this, that some bizarre hysteria had gripped the British people' Beginning eight years ago on the outskirts of Birmingham, where car factories have been replaced by Poundland, and London, where frenzied riots give way to Olympic fever, Middle England follows a brilliantly vivid cast of characters through a time of immense change. There are newlyweds Ian and Sophie, who disagree about the future of the country and, possibly, the future of their relationship; Doug, the political commentator who writes impassioned columns about austerity from his Chelsea townhouse, and his radical teenage daughter who will stop at nothing in her quest for social justice; Benjamin Trotter, who embarks on an apparently doomed new career in middle age, and his father Colin, whose last wish is to vote in the European referendum. And within all these lives is the story of modern England: a story of nostalgia and delusion; of bewilderment and barely-suppressed rage. Following in the footsteps of The Rotters' Club and The Closed Circle , Jonathan Coe's new novel is the novel for our strange new times. 'From post-industrial Birmingham to the London riots and the current political gridlock, [ Middle England ] takes in family, literature and love in a comedy for our times' Guardian 'Coe shows an understanding of this country that goes beyond what most cabinet ministers can muster . . . his light, funny writing makes you feel better' Evening Standard ' Middle England is a full-blooded state of the nation novel, and it brings us bang up-to-date' Sunday Times Coe is an extraordinarily deft plotter...the book zips along...he tackles big ambitious themes, in this case the effect of politics on people's lives, and political opinions on personal relations' Mail on Sunday 'Sublimely good. Funny, tender, human and intelligent ... the state of the (Brexit) nation novel to end them all. Jonathan Coe's best since What a Carve Up! ' India Knight ' An astute, enlightened and enlightening journey into the heart of our current national identity crisis. Both moving and funny. As we'd expect from Coe' Ben Elton 'The first great Brexit novel' Sathnam Sanghera 'Let me add to the chorus of praise for Jonathan Coe's new book Middle England . Easily my favourite of his since What a Carve Up!, which did for Thatcherism what Middle England does for Brexit' John Crace 'Brilliant. Read it too fast, finished it too soon' Nigella Lawson 'Coe's comic critique of a divided country dazzles . . . Properly laugh-out-loud funny . . . it is also incisive and brilliant about our divided country and the deep chasms revealed by the vote to leave. Do not miss' The Bookseller 'A copper bottomed masterpiece' Barney Norris
**The dazzling new novel from the prize-winning, bestselling author of Middle England** A young woman named Calista meets the famed Hollywood director Billy Wilder in the sweltering summer of 1976. She knows nothing about him or his work, but this chance encounter will change her life for good.But while Calista is thrilled with her new adventure, Wilder himself - struggling to raise the money for his next feature film - is living with the realisation that his star may be on the wane.In his new novel that is, by turns, funny, tender and profoundly truthful, Jonathan Coe turns his gaze to the nature of time, fame, family and nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it''s time to let go?br>_______________________________________________________Praise for Jonathan Coe''Coe is a writer of uncommon decency'' Observer''Brilliantly funny'' Economist''Superb'' Times''Very, very funny'' Stylist>
'One of those sweeping, ambitious yet hugely readable, moving and richly comic novels that you find all too rarely in English fiction ... a masterpiece' Daily Telegraph Unforgettably funny and painfully honest, Jonathan Coe's tale of Benjamin Trotter and his friends' coming of age during the 1970s is a heartfelt celebration of the joys and agonies of growing up. Featuring, among other things, IRA bombs, prog rock, punk rock, bad poetry, first love, love on the side, prefects, detention, a few bottles of Blue Nun, lots of brown wallpaper, industrial strife, and divine intervention in the form of a pair of swimming trunks. Set against the backdrop of the decade's class struggles, tragic and riotous by turns, packed with thwarted romance and furtive sex, The Rotters' Club is for anyone who ever experienced adolescence the hard way. 'Very funny ... a compulsive and gripping read. Coe has achieved that rare feat: a novel stuffed with characters you really care for' The Times 'A book to cherish, a book to reread, a book to buy for all your friends' Independent on Sunday
Set against the backdrop of the Millenium celebrations and Britain's increasingly compromised role in America's war against terrorism', The Closed Circle lifts the lid on an era in which politics and presentation, ideology and the media have become virtually indistinguishable.
The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time. It is the 1980s and the Winshaw family are getting richer and crueller by the year: Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators. But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . . This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize 'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times 'A riveting social satire on the chattering and all-powerful upper classes' Time Out 'Big, hilarious, intricate, furious, moving' Guardian
'What I want you to have, Imogen, above all, is a sense of your own history; a sense of where you come from, and of the forces that made you.' Rosamund lies dying in her remote Shropshire home. But before she does so, she has one last task: to put on tape not just her own story but the story of the young blind girl, her cousin's granddaughter, who turned up mysteriously at her party all those years ago. This is a story of generations, of the relationships within a family - and of what goes to make a child.
Maxwell Sim seems to have hit rock bottom: separated from his wife and daughter, estranged from his father, and with no one to confide in even though he has 74 friends on Facebook. He's not even sure whether he's got a job until suddenly a strange business proposition comes his way which involves a long journey to the Shetland Isles - and a voyage into his family's past which throws up some surprising revelations.
Jonathan Coe's new book is a story for our times: Maxwell finds himself at sea in the modern world, surrounded by social networks but unable to relate properly to anyone. Yet as he delves into his family history he manages to find the resources to survive.
A comedy about the powers we acquire and relinquish when we fall asleep, and when we fall in love. It features Sarah who is narcoleptic, Terry, a disillusioned film critic for whom sleep is a memory, and for Dr Dunstan, sleep is nothing less than a global disease.
Rosamund lies dying in her remote Shropshire home. But before she does so, she has one last task: to put on tape not just her own story but the story of the young blind girl, her cousin's granddaughter, who turned up mysteriously at her party all those years ago.
Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events; Robert has had his life changed for ever by the misunderstandings arising from her condition; Terry, the insomniac, spends his nights fuelling his obsession with movies; and the Dr Gregory Dudden sees sleep as a life-shortening disease which must be eradicated.
When Penguin published What a Carve Up! in 1994, Jonathan Coe's lasting fame was assured. There followed a string of widely acclaimed novels that together chart the changing social fabric of Britain over the last thirty years.