Though conservation plays a decisive role in the public's experience of artworks in museums, visitors are often unaware of what it takes to keep them vibrant, intact and in some cases existent, and until now there has never been a comprehensive, accessible volume that explains this science to the la...
Introduction by Sharon Corwin. Foreword by William D. Adams, Peter Lunder, Paula Lunder. Text by Elizabeth Finch, Erica Hirshler, Lauren Lessing, Margaret MacDonald, Virginia Mecklenburg, William Truettner, Ankeney Weitz. Contributions by Mark Bessire, Hannah Blunt, Elizabeth Broun, Thomas Colville,...
The second volume of The World of William Glackens expands the story of American art in the early 20th century. Teresa Carbone highlights a breakout work by Glackens, while Charles Brock shows how alternative exhibitions of American modernists changed the art world. The fertile artistic location of ...
Incendiary Traces complements the first museum exhibition of Los Angeles-based artist Hillary Mushkin--a unique collective project that interrogates landscape through drawing. This experimental initiative was generated through on-site public "draw-in" events, ongoing research and publication of rela...
Using printmaking, photography and sculpture, San Francisco-based artist Gay Outlaw (born 1959) explores the balance between the organic and the geometric, as well as the relationship of photographic imagery to three-dimensional form. This publication accompanies an exhibition of recent sculpture an...