À propos

During the late 1970s and early 1980s, New York City was financially and socially bankrupt, but the art and music scene was flourishing. During these years, the downtown New York music scene - no wave, hip-hop, disco funk and club culture - shaped Jean-Michel Basquiat as both a musician and an artist. This catalog for a traveling exhibition explores how Basquiat's painting has parallels in his music (sampling, cut-up, rapping), and takes a new look at his production as a writer and a poet in light of his connections with the then-emerging hip-hop culture. This beautifully illustrated exhibition catalog of rarely seen photographs and images sheds new light on Basquiat as a musician, exploring how his art and music are related, and how they reflect on his identity as a Black artist in the United States, the downtown New York music scene, and contemporary culture.


Rayons : Arts et spectacles > Généralités sur l'art > Essais / Réflexions / Ecrits sur l'art


  • Auteur(s)

    Mary-Dailey Desmarais, Dieter Buchhart, Vincent Bessières

  • Éditeur

    Acc Art Books

  • Distributeur

    Interart

  • Date de parution

    27/09/2022

  • EAN

    9782072985942

  • Disponibilité

    Indisponible

  • Nombre de pages

    288 Pages

  • Longueur

    30 cm

  • Largeur

    24 cm

  • Épaisseur

    3.1 cm

  • Poids

    281 g

  • Support principal

    Grand format

Infos supplémentaires : Relié  

Dieter Buchhart

  • Naissance : 1-1-1971
  • Age : 53 ans
  • Pays : Autriche
  • Langue : Allemand (autriche)

Vincent Bessières

Vincent Bessières est commissaire de
l'exposition consacrée à Django Reinhardt à la Cité de la Musique cet automne, ancien
rédacteur adjoint du magazine Jazzman et membre de l'Académie de jazz. Il a notamment
dirigé le catalogue We Want Miles, le jazz face à sa légende (Textuel, 2009).

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